Following on from the residency with GroundWork gallery this summer, I’ll be contributing to the ‘Ground Up’ Conference at Thoresby College on Friday 15th & Saturday 16th November 2024. My presentation will be on the 16th in Session 3: Above and Beneath the surface – nature, observation, protection.  The Conference runs alongside the first Ground Up exhibition presenting work created by artists participating in this year’s residency. I’m very pleased to be showing 3 pieces. Ground Up opened on Oct 12th and runs until Dec 14th. Scroll down to see the poster for details.

Below is a horsetail plant, proliferating on the Norfolk wetland where I was staying. It was the starting point for one of my pieces in the exhibition – and will be the starting point of my presentation on Saturday.

As explained on the gallery website, ‘Over the last year more than 20 artists have been working together with GroundWork Gallery and partners, and with all kinds of other collaborations, sharing expertise. The Ground Up Conference, is broadly about extraction – of any material taken out of the earth, for any reason. Extraction has underpinned our summer residencies for four years now. During the 2024 season, we explored the subject together in so many ways, with artists focusing on extraction issues by visiting river, coastal and inland landscapes. This conference will focus mainly on land and is the first of two, the next one will be in summer 2025, when we will focus more on the coastline and shore.

Further information about the event is on the GroundWork website. If you are in the area and would like to come, tickets are still available on Eventbrite.

 

Sophie Capron Solo Exhibition ‘Echos of the Past’ at Artwave West

Artwave West is proud to present “Echoes of the Past,” a solo exhibition by the highly talented artist,

Sophie Capron.

Running from 2nd – 30th November, this compelling show invites viewers to explore the interplay of memory, history, and transformation through Capron’s innovative use of reclaimed materials.

Sophie Capron’s artistic process is rooted in sustainability and the profound narratives embedded in old paint. Using paint donated from various sources, she meticulously layers and sands her works, revealing the stories hidden within. Each stroke and texture tells a tale, echoing the past while engaging with contemporary themes of renewal and change.

Capron’s technique of building up layers and then sanding them down not only creates depth but also symbolises the passage of time and the way memories can fade yet remain impactful. The resulting pieces are rich in both visual and emotional complexity, inviting viewers to reflect on their own connections to the past.

“Echoes of the Past” is not just an exhibition; it is an experience that challenges us to consider the histories we carry with us and how they shape our present. Capron’s work resonates with those interested in the relationship between art, environment, and memory, making it a must-see for art lovers and enthusiasts alike.

Sophie be in the gallery on 2nd November 10:30am – 12:30pm, where attendees can meet her and gain insight into her creative process. The gallery invites everyone to engage with this thought-provoking collection and discover the beauty that arises from repurposed materials.’

Artwave West Gallery, Morcombelake, Bridport, DT6 6DY

artwavewest.com

Congratulations NSA member Simon Averill shortlisted for the Contemporary British Painting Prize

 

Simon Averill at the opening night.

 

The Daisy Lang Gallery is curating a new exhibition later this month this time at

the very gorgeous @chapelhousepz

Treasure’ is a group show featuring the work of 30 artists all living and

working in Cornwall including NSA members Yolande Armstrong, Tim Ridley, Marie Claire Hamon & Max Whetter

Opening party is in on Thursday 21st November from 5-7pm and you’re all invited!

This is going to be a fantastic exhibition and I really hope you will visit

Chapel House whilst it’s on to have a look.

 

From the 22nd November the doors of this beautiful boutique hotel will be open daily from 11am – 4pm.

Show runs until 17th January.

Follow the link to read the full interview:

Women Talking

13th Sept to 5th Oct    1 1.00 4.00pm.

Private view 4 pm Tuesday Sept 24th

The private view to which all are invited will take the form of a public discussion between Ellen and myself about all the important things in life, love, art, creativity and trying to juggle it all. Ellen will read some of her poetry, and tea will be served (and I hope cake).

Poet Ellen Phethean chose some of my paintings as a starting point for poems which now appear in her book ‘Woman Talking’. Some of the paintings were done many years ago. Most have never been seen outside the studio. We put a show together before lockdown which was to go to Newcastle where Ellen lives. It had to be cancelled but this new show, with some extra paintings added, has been created, curated by Miranda Leonard of Restless Gallery.

For more information: www.janetlynch.com

Image: The Fisherman’s Wife

From the Tremenheere website www.tremenheere.co.uk:

‘…Ellen is a life-long writer with a distinct voice. In her recent book Portrait of the Quince as an Older Woman, Ellen wrote about her life in a world made alien with loss and absence. She acknowledges aging but also the pleasure of grandchildren and the recompenses of writing. Her poems explore the older woman’s place in contemporary culture. Shedding the Niceties published last year is reviewed as a collection of ’rambunctious poems that insist on finding their own way home in the dark’.

Janet Lynch, now 84, is a painter whose work is full of life that genuinely springs forth from her brush, this current way of working represents a new way of approaching her creativity.

These two artists have much to discuss through their correspondence of paintings and poems…

Anima Mundi are proud to present ‘Nepantla‘, a solo exhibition by Carlos Zapata.

Zapata’s idiosyncratic sculpture and installation deals with diverse challenging and potent themes ranging from poverty, conflict, religion and race, yet paradoxically, the overriding characteristics of the work are of empathy and compassion and a deep search for spirituality

‘Nepantla’ launches Friday 6th September 6.30 – 8.30pm

6th Sept-19th Oct 2024

Anima Mundi Gallery, Street-An-Pol, St Ives TR26 2DS

 

 

This August Viv Allbright’s  mixed media painting ‘Palimpsest’ was selected for the Tate Modern in their ‘Inside Job’ Biennale Staff Exhibition. The selection this year was drawn from all 4 Tates open to all staff working there, in this case Viv was a volunteer.

Explore artworks by over 200 Tate staff members

Now in its fourth iteration, Inside Job (the Tate Staff Biennale) gives Tate staff the opportunity to showcase their work at Tate Modern. Inside Job features work by over 200 staff members from all departments.

The exhibition boasts work from practising professionals, aspirational masters as well as those for whom art is a rewarding pastime. The mix of work on display ranges from the 2D, 3D, film, performance and live art. Inside Job reflects and celebrates the diversity of Tate staff working across London, Liverpool and St Ives.

The exhibition has been curated and organised by the Inside Job Collective: a group of Tate staff members united in their shared interest to showcase the talents of Tate’s staff.

Tate Modern

Blavatnik Building Level 5

Bankside
London SE1 9TG

Dates

7–20 August 2024

‘impromptu’
artists:
Maureen Kennedy
Winnie Lyn
Baz Mehew
Andrew Swan
opening times:
thursday 11 -3
friday 11-3
saturday 11-3
Until 1st Sept

If you are interested in buying one of the artworks
and would like to arrange a private viewing with the artist
outside the regular opening times please text 07970 392 763

Sea & Sky: a Solo  Exhibition by Heather McAlpine

Immerse yourself in the colourful, large-scale paintings of Heather McAlpine, a St Ives based artist inspired by the sea and her love of wild swimming. 

Born in Stirling, Scotland, Heather McAlpine’s creative journey led her to London, where she earned an MA from the Royal College of Art. Then, after 16 years of living and painting in Vancouver, Canada, fate guided her to the rugged shores of Cornwall, where she has found solace and inspiration for the past eight years. She now works from her studio in historic ‘Downalong’, nestled in between three of her favourite beaches. 

Her paintings embody the essence of St Ives’ unique colour palette and reflect not only the striking visual aspect of the ocean but also the sensory and emotional experiences that come with it.

The exhibition promises an immersive experience into her world, reflecting her deep affinity for the sea, wild swimming and the immersive process of painting itself. The exhibition will include a range of paintings, from her small ‘captured moments’ on paper to her large, semi-abstract expressive canvases.